แนะนำวารสารสาขาด้านภาพยนตร์

 

• Asian Cinema >https://bit.ly/3Etc7zC Full text available from 2022-2023

บทความแนะนำ
- From Chinese independent cinema to art cinema: Convergence and divergence By Lydia Wu https://doi.org/10.1386/ac_00044_1
- Stanley Kwan’s Center Stage: A feminist film in a postmodern frame By Yiran Ai https://doi.org/10.1386/ac_00045_1
- Kitano Takeshi’s ‘melancholic nationalism’ and the role of Koreans in the Outrage trilogy By Mika Ko https://doi.org/10.1386/ac_00046_1

 

• Film Quarterly >> https://bit.ly/3KpHaQR Full text available from 2000-

บทความแนะนำ
- Madubuko Diakité and Black Radical Documentary By Christian Rossipal https://doi.org/10.1525/fq.2023.76.3.12
- “Netflix and Heal”: The Shifting Meanings of Binge-Watching during the COVID-19 Crisis By Tanya Horeck https://doi.org/10.1525/fq.2021.75.1.35
- From Binge-Watching to Binge-Scrolling: TikTok and the Rhythms of #LockdownLife By Tina Kendall https://doi.org/10.1525/fq.2021.75.1.41

• Screen >> https://bit.ly/3lNAW2K  Full text available from 1996-

บทความแนะนำ
- The shudder-image: psyche-soma, sex and knowledge in Hannibal By Ben Tyrer https://doi.org/10.1093/screen/hjac039
- The Subversive Film Festival as a field of resonance By Sima Kokotović https://doi.org/10.1093/screen/hjac043
- Apichatpong Weerasethakul’s planetary cinema By Graiwoot Chulphongsathorn https://doi.org/10.1093/screen/hjab058

• Studies in South Asian Film and Media >> https://bit.ly/3Ku3Yi9 Full text available from 2022-2023

บทความแนะนำ
- Hindutva politics and South Asian cinema – media in the age of Modi By Ajay Gehlawat https://doi.org/10.1386/safm.9.2.73_2

Starpics >> https://bit.ly/3Tke8Vb

 

หากพบปัญหาการใช้วารสารติดต่อ This email address is being protected from spambots. You need JavaScript enabled to view it.